Im not gonna lie I go to the Bennie and jets setting and blend it with vocals and snare. I like this one for snare widening and that 70s vocal effect. Pretty disappointed in UADs lack of resolution to this issue after all of the money Ive invested into using their hardware and software. With the UAD version, I have to be careful to not overdo it now that I have something thats so good, quick, and reliable. With the H910 plug-in, you can easily use MIDI to control pitch and harmonization in real time.īut beware, one test drive of the H910 plug-in, and youll discover sounds that you cant live without.Įminently useful and every bit as unique as the original hardware.Īnd now in 2015, UA continues to move the past into the future with the Eventide H910 plug-in. This allows the UAD H910 Harmonizer plug-in to retain the original hardwares characteristic tone, as well as its dynamic responsiveness to input signals. While simple, this circuit allows you to explore unique, unpredictable effects, never before emulated in a plug-in. Worlds away, ACDC engineer Tony Platt put the H910 to slyly fatten up Back in Blacks iconic snare sound, while Eddie Van Halen used two H910s for max spread on his 80s guitar tones. On classics like David Bowies Low, and Iggy Pops The Idiot, producer Tony Visconti used the H910 to pitch down drum sounds, famously saying it, fcked with the fabric of time. From sci-fi sound design to pop music landmarks from David Bowie and ACDC, the Eventide H910 is an unmatched creative tool.
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